I bought this title not
because of the author, or because of the plot, or even because the name Arrowsmith sounded attractive. I purchased
it because of the publisher and the series it is a part of. To most readers the
name “Modern Library” means nothing, but to me it means a great deal. The “Modern
Library” series, which first began publication in 1917, was the American answer
to the British series, “Everyman’s Library”. The goal of both series was to
provide quality titles at affordable prices. Today, both “Everyman’s Library”
and “Modern Library” have become collectibles. I’ve been in bookstores, where depending
on the title and the year of publication, a “Modern,” or “Everyman’s” Library
can sell for upwards of $25. The books are even more desirable if they contain
the dust jackets they originally came with.
I am lucky enough to
own a few “Everyman’s Library” books with the jackets in decent condition, but
all of the “Modern Library” books that I have do not have the dust jackets. That
is okay though, because I collect the books not for their value in dollars, but
for their aesthetic value and for their content.
Buying this title, Arrowsmith, for its aesthetic value was
a good move because the content is just as satisfying. The novel follows the
life of Martin Arrowsmith, a medical student, a doctor, and a bacteriologist
who researches the cures and causes of diseases. From the start the reader
understands that Martin is not like the other medical students in his class. He
desires more in life than a large paycheck and he’s not the kind who traverses
easily in society. With his marriage, he tries to settle down and be a country
doctor, but he can’t force himself to focus on the people he’s healing. Martin
cares more for the laboratory and for research.
He rides a fine line
throughout the book, sometimes being his true self, the man who spends days
without sleep tucked away in a laboratory doing careful experiments and
rejecting the shallowness of high society, and his false self, a man who seeks
fame, fortune and the good opinion of others. In the end, he rejects his false
self.
The book, although it
took me to the very end to realize it, warns against trading your soul for
dollars, rejects capitalism, and endorses introversion, the use of the mind and
a dedication to the work that a person loves, regardless of its social implications.
It’s, in a way, a study of society and of the introverted intellectual within
society.
A few shallow lines by
Martin’s soon to be ex-wife near the end of the novel, does leave some things
open to discussion, however. The reader is left wondering whether Martin is
egotistical in sacrificing the people and the world around him for his work, or
whether he is a kind of fighter for freedom, symbolizing that the work we love
is worth the sacrifice. I like to see him as a symbol of freedom. Martin is not
content until he finally rejects his false self and embraces in full the kind
of life and dedication to his work that he desires.
Source for History of Modern Library:
Toledano, Henry.
"History of the Modern Library." N.p., 2002. Web. Aug. 2013.
<http://www.modernlib.com/General/ToleHistroySpeech.html>.
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