I always find it interesting, reading a
book from the past about the past. This particular title, Under Ground Times, is from the 1980’s, and provides a reflection
on the 1960’s. Author Ron Verzuh focuses on Canada’s “underground”
counter-culture press during the hippie era. Verzuh stuffs a surprisingly vast
amount of information about Canada’s most famous counter-culture publications
into the small volume, but what he lacks in specific details, he makes up for
in the overall picture he provides. After reading Verzuh’s book I can attest to
understanding 1960’s Canada just a little bit better than before.
Verzuh describes two types of the 1960’s
counter-culture publications; there are hippie publications and the more
serious political publications. Hippie publications concerned themselves with
promoting the cultural aspects of the time, covering things like free love,
growing your own marijuana, and bizarre artwork. The more serious political
publications dealt with topics like the Vietnam War, the October Crisis, socialism,
workers rights and the Women’s Rights movement. Of course, many publications
brought both worlds together, or fought a battle internally as to which of the
two was more important.
The underground publications of the
1960s earned the name “underground” not because they were illegal, but because
their content was not accepted by mainstream society or the authorities. Many
of the underground publications were harassed by police. In some cases, charges
were even laid. A key issue for the publications was freedom of the press, but the main goal of many publications was to challenge the accepted social norms and the mainstream press.
The
Harbindger, a Toronto publication, was taken to court, as was common at the
time, on an obscenity charge. On the cover of an issue, they had printed an
artist’s representation of a woman giving birth. Likewise, the paper Logos was taken to court for libel after
printing and distributing a fake Gazette
which claimed the mayor had been “shot” or injected with drugs by a hippie. Although
the piece was clearly a satire, Logos
was charged.
The underground papers often had
creative names. Chapter Six of the book mentions a Winnipeg paper by the name
of Omphalos, started by a group of
University professors. “Omphalos” is the Greek word for belly button.
I love how Verhuz chooses to tell the
personal stories of the men and women who founded the selection of publications
he focuses on. The epilogue is especially satisfying; Verhuz describes where
the major players from the 60's were in the late 1980s, when Under Ground Times was published.
The 1960s and their counter-culture were
interesting times. I’d recommend this book to anyone looking for a passageway
to better understand Canada’s 1960s.
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